MUSEUM-L Archives

Museum discussion list

MUSEUM-L@HOME.EASE.LSOFT.COM

Options: Use Classic View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Topic: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Peter Rebernik <[log in to unmask]>
Wed, 13 May 1998 21:46:35 +0200
text/plain (89 lines)
Yes, Dear Claudia, the museum has to choose on how to present the themes and
their objects. And they will be judged on this decision.
Peter, the Rebernik
+---------------------------------------------------
 | PHAROS International - Bureau for Cultural Projects
 | Peter Rebernik, Dipl.-Ing.
 | Anton Baumgartnerstr. 44/C2/3/2; A-1230 Wien / AUSTRIA
 | Tel.: (... 43 1) 667 7375; Fax: (... 43 1) 667 2984
 | Mobiltel.: (... 43 664) 230 2767
 | E-Mail: [log in to unmask]; Web: http://www.rebernik.at
+------------------------------------------------------
-----Ursprüngliche Nachricht-----
Von: Nicholson, Claudia <[log in to unmask]>
Newsgroups: bit.listserv.museum-l
An: [log in to unmask] <[log in to unmask]>
Datum: Mittwoch, 13. Mai 1998 14:22
Betreff: FW: Military uniforms


>>----------
>>From:  Nicholson, Claudia
>>Sent:  Wednesday, May 13, 1998 8:18 AM
>>To:    'Museum-L'
>>Subject:       Military uniforms
>>
>>Heleanor is quite right about military uniforms having a context.  I would
>>agree that ALL objects have any number of contexts.  However, as museums,
I
>>don't think that we are required to cover every context every time we
exhibit
>>the artifact.
>>
>>My favorite example comes from Barbara Carson, and was presented to me
many
>>years ago at a workshop.  Take a late 19th century cut glass bowl.  You
can
>>look at it as an aesthetic object--what is its design?  You can look at it
as
>>an example of the glass cutter's craft--how did such a thing get made?
You
>>can look at it as an object that tells the world how affluent the person
who
>>has it in their home was--how much did it cost?  Through what network did
it
>>end up in the person's home?  You can look at how such an object might
have
>>been cared for it--who washed and dusted it--the lady of the house?
[women's
>>role in the late 19th century] or the maid? [women's role in the late 19th
>>century; place of servants in the home of the affluent; class differences
>>between upper and lower class women; labor].  However, that doesn't mean
>>necessarily that I want to tackle all of these issues in one exhibit.
>>Usually, the practice is to pick one, maybe two, and leave the rest for
other
>>exhibits.
>>
>>Fred Schroeder's "Seven Ways to Look at an Artifact" shows us much the
same
>>thing.
>>
>>Military uniforms can be considered simple interestingly-designed
garments.
>>Whether or not the museum should is another question--depends on the
mission
>>of the museum, doesn't it?  If the Costume Institute at the Metropolitan
>>Museum of Art were to do an exhibit on military uniforms, would you demand
>>that they show pictures of dead bodies in the background?
>>
>>Yes, war is a horrible, stinking thing--an experience that I fear can
never
>>be adequately conveyed in a museum exhibit (just talk to a veteran).  And
>>yes, there are many museums where that might be an appropriate topic,
>>including the museum that originally generated this thread.  However, I
think
>>that they can decide to do something else with their collection, and we
>>should let them.
>>
>>Claudia Nicholson
>>Curator
>>Museum Collections Department
>>Minnesota Historical Society
>>345 Kellogg Blvd. W.
>>St. Paul, MN  55102-1906
>>      Tel: 612-297-7442
>>      FAX: 612-297-2967
>>      e-mail:  [log in to unmask]
>>
>

ATOM RSS1 RSS2