Skip Navigational Links
LISTSERV email list manager
LISTSERV - HOME.EASE.LSOFT.COM
LISTSERV Menu
Log In
Log In
LISTSERV 17.5 Help - MUSEUM-L Archives
LISTSERV Archives
LISTSERV Archives
Search Archives
Search Archives
Register
Register
Log In
Log In

MUSEUM-L Archives

Museum discussion list

MUSEUM-L@HOME.EASE.LSOFT.COM

Menu
LISTSERV Archives LISTSERV Archives
MUSEUM-L Home MUSEUM-L Home

Log In Log In
Register Register

Subscribe or Unsubscribe Subscribe or Unsubscribe

Search Archives Search Archives
Options: Use Classic View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Topic: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Re: Controversial Art
Claudia Nicholson <[log in to unmask]>
Wed, 3 Apr 1996 21:33:14 GMT
text/plain (25 lines)
So Greg Koos says:

>These attacks are conducted in order to further inflame the American public.
> That is why Newt & Co. misinfrom people about the contents of the exhibits
>and their themes.
>>
And I say that museums should respond.  My question is, how?  Many of us
work for entities of government--we cannot talk with the press except after the
approval of 12 layers of bureaucracy!  Others of us work for private non-
profits, which depend upon public goodwill and contributions.  With all
due deference to Hank Burchard and his fellow scribes, most members of the
press SEEM to be interested in the "sound bite" or "pithy quote".  Some-
times, an explanation of the contents of an exhibit or the reason for an
inflammatory object therein takes more than a sentence.

Can we develop a series of short, on-point responses to the kind of silly
posturing politicians do over our serious, well-thought-out exhibits?  And,
what exactly is the venue in which these responses could be made?

Claudia Nicholson
Curator of Collections
South Dakota State Historical Society, Pierre

[log in to unmask]

ATOM RSS1 RSS2

HOME.EASE.LSOFT.COM CataList Email List Search Powered by LISTSERV