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Date: | Tue, 14 Nov 1995 12:15:21 EST |
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At the Holocaust Museum in Washington, we have not come across this
predicament yet. However, as the grants officer, we would never
accept a grant to fund an exhibition if that funder wanted control
over the exhibition. We would NEVER give up or give over control of
the content of the exhibition. When you start accepting money and
giving up control, you run the chance of downgrading the quality of
the product and reputation of the institution.
Susan Grant
Grants Officer
U.S. Holocaust Memorial Museum
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Subject: Outside funding of exhibits.
Author: Museum discussion list <[log in to unmask]> at INETGATE
Date: 11/14/95 11:38 AM
I am resending this message. I cannot believe that I got only one
response to the query. I expected a heated discussion and at least
two flames. Don't let me lose my faith in the museum listserv.
Alan Hawk
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We are negotiating with a third party who is interested in sponsoring
an exhibit at our museum. We need imput from other museums about how
to deal with the issue of control of the content of the exhibit.
There are two possible models to handle this issue:
a) The museum assumes total control over the control of the content
of the exhibit.
b) The museum and the sponsor share control over content, i.e.. the
final product is to "the mutual satisfaction" of both parties.
I ask this question, in part, as a result of the recent controversy
over the "Science in America" exhibit in which the sponsor was not
pleased with the final product.
Have museums ceded some curatorial control over exhibit content as a
result of the recent controversies? Have sponsors begun demanding
some curatorial control over the exhibit content?
Alan Hawk
National Museum of Health and Medicine, AFIP
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