MS224: Care of Leather and Skin Materials
Instructor: Helen Alten
Dates: Oct 3 through Oct 28, 2011
Location: online at www.museumclasses.org
Description:
Prior to the invention of plastics, skin materials were the flexible covering used for most objects - from bellows to books, carriages to desktops. Furs and skins are in almost every museum's collection, be it Natural History, History or Art. Caring for leather and skin materials demands an understanding of how and why they deteriorate. Care of Leather and Skin Materials offers a simplified explanation of the origin, chemistry and structure of leathers and skins. Students learn to identify leathers and surface finishes, determine their extent of deterioration, write condition reports, and understand the agents of deterioration that are harmful to leather and skins both in storage and on exhibit. Topics include preparing hide and skin materials for storage and exhibit, the use of archival materials and which ones might harm skin proteins, housekeeping techniques for large objects or books on open display, and three-dimensional supports for leather and skin to keep them from distorting. Integrated pest management and historical treatments will be covered, with a unit on hazardous materials applied to older skins and leather that might prove a danger to staff.
Logistics:
Participants in Care of Leather and Skin work through sections on their own. Materials and resources include online literature, slide lectures and dialog between students and the instructor through online forums.
Care of Leather and Skin runs four weeks. To reserve a spot in the course, please pay at http://www.collectioncare.org/tas/tas.html If you have trouble please contact Helen Alten at [log in to unmask]
The Instructor:
Helen Alten, is the Director of Northern States Conservation Center and its chief Objects Conservator. For nearly 30 years she has been involved in objects conservation, starting as a pre-program intern at the Oriental Institute in Chicago and the University Museum of the University of Pennsylvania. She completed a degree in Archaeological Conservation and Materials Science from the Institute of Archaeology at the University of London in England. She has built and run conservation laboratories in Bulgaria, Montana, Greece, Alaska and Minnesota. She has a broad understanding of three-dimensional materials and their deterioration, wrote and edited the quarterly Collections Caretaker, maintains the popular www.collectioncare.org web site, lectures throughout the United States on collection care topics, was instrumental in developing a state-wide protocol for disaster response in small Minnesota museums, has written, received and reviewed grants for NEH and IMLS, worked with local foundations funding one of her pilot programs, and is always in search of the perfect museum mannequin. She has published chapters on conservation and deterioration of archeological glass with the Materials Research Society and the York Archaeological Trust, four chapters on different mannequin construction techniques in Museum Mannequins: A Guide for Creating the Perfect Fit (2002), preservation planning, policies, forms and procedures needed for a small museum in The Minnesota Alliance of Local History Museums' Collection Initiative Manual, and is co-editor of the penultimate book on numbering museum collections (still in process) by the Gilcrease Museum in Oklahoma. Helen Alten has been a Field Education Director, Conservator, and staff trainer. She began working with people from small, rural, and tribal museums while as the state conservator for Montana and Alaska. Helen currently conducts conservation treatments and operates a conservation center in Charleston, WV and St. Paul, MN.
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