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Subject:
From:
Jill Chancey <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Wed, 18 Jun 2008 16:10:27 -0500
Content-Type:
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Rights: We have a tiered system of rights fees: one for non-profits, one 
for for-profits, and then a sliding scale based on how many copies of 
the book/article/whatever are going to be made.   An organization can 
ask for a fee waiver, but we do not offer discounts.  Fee waivers are 
rarely granted, and usually for local organizations that we already have 
a relationship with. The paperwork & research takes up staff time; it is 
not unreasonable to charge a fee for this service.

Reproductions: Just about everybody has to pay a fee for a reproduction, 
unless I happen to already have a scanned image around, in which case 
I'll zap a low-res version by email. (The librarian/archivist may not 
have this policy, this is for artwork only).  Anything higher-res or 
hard-copy, requiring photography or new scanning, printing, or shipping, 
costs staff time & money, and so we charge. 

Honestly I don't think the amount of money we make on either is 
substantial, but if we provided either service for free, we'd be 
overwhelmed by requests that are essentially fishing expeditions.

Jill R. Chancey, PhD
Curator
Lauren Rogers Museum of Art
PO Box 1108
Laurel, MS 39441-1108
www.LRMA.org
[log in to unmask]



Sarah Swain wrote:
> I think it depends on who is asking for the image.  We're surrounded by 3
> small local colleges, and we always receive multiple requests from students
> at the end of the semester.  We give those (low res) images at no charge. 
> For requests from non-profits we try to charge only the cost of materials. 
> Although that can vary depending on the format, resolution and length of
> use.  We have had a non-profit ask for reproduction rights in perpetuity on
> one occasion.  
>
> We also had one request from an artists' family that wanted to publish two
> images in a retrospective book.  They needed high resolution color digital
> images that we could not produce on site.  Our best price was too high for
> them, the email exchange became very heated, and in the end they did not put
> our images in their book.
>
> Sarah Swain
>
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