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Subject:
From:
David Harvey <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Wed, 1 Jun 2005 09:17:30 -0400
Content-Type:
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text/plain (90 lines)
The trouble with brasso and other commercial polishes is that that can 
either be acidic, caustic, have abrasives, and contain amonia. These 
help the polish to work very rapidly and provide instant gratification 
to the household user. However, these same qualtities are extremely bad 
for historic and artistic metals that are in collections. I have seen 
stress corrosion cracking form amonia, pitting and erosion of original 
surfaces and finishes by acids, and actual holes worn into 18th century 
candlesticks from daily polishing. Often the less than thorough 
application of polishes leaves accretions behind (white or green 
powerry material packed into crevices) and these accretions can cause 
further problems.

We have long since passed the time when every piece of historic metal 
has to be poilsihed bright. It has long been recognized now that a 
genuine and stable oxidation is a sign of age and autheticity and so 
the metals found in militaria, clocks, and decorative arts collections, 
with the qualified exception of silver, is just not routinely polished 
anymore. Your volunteers are simply polishing away the value of your 
collection.

You also need to be well aware of the original surface finish of the 
piece - if a metal has a very high polish you will need to use the 
least abrasive cleaning method possible. If it is coarse and rough then 
perhaps it never was polished bright to begin with.

Conservators will mix up their own polishes or use the highly 
specialized polished used in metallography. The safest one is to use is 
precipitated chalk, mix that wih distilled water into a paste, add a 
drop of a non-ionic surfactant, and clear that completely with a soapy 
rinse of distilled water and the same non-ionic surfactant. Then rise 
with distilled water.

But again, I would offer a huge caveat. If you do not understand what 
you are doing and how to properly clean and polish an historic or 
artistic metal object, don't do it.


Cheers!
Dave

Conservator
Los Angeles, California, USA

-----Original Message-----
From: Marielle Fortier <[log in to unmask]>
To: [log in to unmask]
Sent:         Wed, 1 Jun 2005 08:41:38 -0400
Subject: Brasso Alternatives

   Good morning, 
  In the dry ice thread a few of you mentioned brasso. Items in our 
collections like cannons, belt buckles and insignias have in the past 
been routinely cleaned with Brasso. I have been looking for an 
alternative to help my "cleaners" change their ways. What does this 
listserve use? Thank you for your advice. 
 Marielle 
 
 ********************** 
 Marielle Fortier 
 Registrar 
 NUM 
 Vermont 
 ********************** 
 
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