Interesting article written about the subject of controversy at a New Mexico
Museum.
Forwarded Message:
Subj: The Body of the Sacred Feminine
Date: Fri, 20 Apr 2001 12:26:12 AM Eastern Daylight Time
From: [log in to unmask]
To: [log in to unmask]
FROM UNIVERSAL PRESS SYNDICATE
FOR RELEASE: WEEK OF APRIL 20, 2001
COLUMN OF THE AMERICAS by Patrisia Gonzales and Roberto Rodriguez
THE BODY OF THE SACRED FEMININE
Her body is beautiful, brown and strong like the earth. Yet, you can't get
Raquel Salinas to say much about herself without causing her to choke up with
emotion. For nearly half her life, she was ashamed of her body -- burdened
with guilt for having been raped.
Today, her body is the subject of a raging controversy in Northern New Mexico
because Los Angeles artist Alma Lopez depicted her as "Our Lady" -- a
rose-covered woman personifying pre-Columbian moon and earth entities and
vestiges of the Virgen de Guadalupe. She is one body of the sacred feminine
as redefined in recent Chicana art.
While the controversy continues over whether the virgin should be embodied in
such a way, the woman of the body in question has become almost disembodied
from the debate. Much like feminist critique of the objectivication of women
in mass culture, she has remained a body with no voice. "It's my body, yet
nobody's asked me anything about how I feel."
Erroneously described as bikini-clad, Salinas wears a two-piece bathing suit,
covered with roses. She stands on a bare-chested woman, which opponents see
as an offensive reference to the Virgin standing on an angel. Lopez was
inspired to depict Salinas in such a manner, partly through the writings of
Sandra Cisneros -- who in one of her stories wonders what Our Lady of
Guadalupe wears underneath her mantle. "Roses," said Salinas.
The image Salinas depicts is that of "a heroine, of a strong woman. ...
That's who I believe Guadalupe is ... a symbol of struggle," said Salinas.
The image symbolically refers to women's "moon cycles," how women connect
each month to life through menstruation.
To those opposed to the image, Salinas' body offends. It is violating and
sacrilegious. On the surface, the controversy is about sacredness vs. the
freedom of expression. When these ideals clash, there can be no winners. Yet
look through the eyes of Salinas and you see something else raging: a desire
for justice in a world that hungers for it and a desire to honor the sacred
feminine in a world that daily dishonors women.
It is unsettling to Salinas that her body has become ground zero for this
controversy. She adheres to an indigenous spirituality that views Our Lady of
Guadalupe as Tonantzin -- her common name in Nahuatl meaning "Our Most
Venerable Mother." "I see her as Tonantzin. I respect her. I would never do
anything to disrespect her," said Salinas.
"I'm a very spiritual person. I live my life as a Christian -- that is,
respecting others and respecting the earth.
Her life's work has sought to heal herself and her community. She was raped
at age 18. Rather than offering compassion, those close to her made her feel
shame and told her it was God's punishment. Guilt-ridden, she was made to
believe it was she who had precipitated her own rape. This is one reason that
led her to drink. And it was the same reason that caused her to cover herself
up -- to hide her body, her curves ... her femininity.
In a sense, she led a double life. Fiercely proud of her heritage, she became
politically active at a young age. She witnessed the raw brutality of police
officers against protestors at the East L.A. Chicano Moratorium in 1970.
"When I saw that brutality, I committed my life toward fighting injustice."
Yet, through all the political movements she participated in, she was always
silent about her rape.
Twelve years after being raped, she met a woman, Alba Moreno, who told her:
"It wasn't your fault. You didn't ask to be raped." To hear those words was
liberating, Salinas explains. No one had ever told her this. At Moreno's
prompting, she became involved with the East L.A. Rape Hotline. During her
training, she watched a depiction of a rape scene in the back of a car --
very similar to hers -- which brought back the shame.
After years of support groups, one-on-one therapy and Alcoholics Anonymous
(nine years of being sober) -- she began her long process about feeling good
again about her body. To rid herself of her shame of her own body, she began
to do nude modeling at UCLA. Then she allowed herself to be artistically
photographed in the nude.
Part of the controversial image was an effort by her to complete her healing
from "the shame and the guilt." And the dialogue that has ensued "is part of
the healing process," she noted. "I feel good about my body. I carry no shame
anymore. It's part of what happened to me."
Salinas today is an artist in residence at the Catholic-sponsored Proyecto
Pastoral in East L.A. She has employed Our Lady of Guadalupe in her own work
as a performance artist. Several years ago, she wrote a piece called "Heat
Your Own." In it, Our Lady of Gudalupe-Tonantzin appears in the 1500s to stop
the bloodshed of the indigenous peoples of Mexico. Additionally, other strong
women personages appear, including women who fight with the Zapatistas for
farmworker rights and garment workers. The piece also addresses the realities
that teens face, of survival, street and domestic violence, and AIDS. "It's
mainly about hearing the voice of strong women."
People should be outraged when women's bodies are exploited to sell products,
she said. "That's what we should be ashamed of. Yet nobody says anything
about that."
At the center of the battle over freedom of speech and a sacred symbol is a
woman who when asked if she has ever doubted her own beauty breaks down in
tears. "I've never seen myself as beautiful."
COPYRIGHT 2001 UNIVERSAL PRESS SYNDICATE
* Raquel Salinas can be reached at 213-368-8831 or at [log in to unmask]
or PO BOX 50626 L.A. CA. 90050
**The image can be seen at: http://www.almalopez.net Comments regarding the
exhibit should be directed to Dr. Joyce Ice, Director of the Museum of
International Folk Art in Santa Fe, NM at: [log in to unmask] or to Dr. Tey
Marianna Nunn, Curator of Contemporary Hispano/Latino Collections at
[log in to unmask] The artist, Alma Lopez, can be contacted at
[log in to unmask] or Tongues/VIVA1125 N. McCadden Place Suite 148, Los
Angeles, CA 90038.
*** Gonzales is the author of the forthcoming "The Mud People: Anonymous
Heroes of Mexico" and co-author of "Gonzales/Rodriguez: Uncut & Uncensored"
(ISBN: 0-918520-22-3 -- Ethnic Studies Library Publications Unit, UC
Berkeley. Rodriguez is the author of Justice: A Question of Race (Cloth- ISBN
0-927534-69-X paper ISBN 0-927534-68-1 -- Bilingual Review Press). We can be
reached at PO BOX 100726, San Antonio, TX 78201-8726, or by phone at
210-734-3050 or [log in to unmask] Our "Column of the Americas" is archived
under "Opinion" at www.uexpress.com
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to [log in to unmask] . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to [log in to unmask] . The body of the message should read "Signoff Museum-L" (without the quotes).
|