Rebecca

When AASLH met in Victoria, B.C., I think in the early or mid 1980's,
there was a fascinating session on this topic.  I don't remember who the
presenter was, but AASLH likely has a record.

One tidbit I remember was that looking at where the father (and other
individuals) stood (or sat) in relation to the rest of the family is a
likely clue to how he/she related to them. The presenter had done some
good research, and wasn't just speculating, so it might be worth
tracking down.

Lucy Sperlin



> Rebecca Phipps wrote:
>
> Hello all.
>
> Does anyone have any theoretical or methodological suggestions as to
> analyzing or interpreting photographs?  I am working with a collection
> of 34,000 glass plate negatives, all of which came from one
> photography studio (three photographers) that operated from 1862 to
> 1968 in Leavenworth, Kansas.  The vast majority of the photos are
> studio portraits and I would like to develop an exhibit focusing on
> "the family" as seen through these portraits.  The project is somewhat
> overwhelming and I am not quite sure how to approach it.  So far, I am
> utilizing methods/theories of material culture but am wondering what
> approaches other museum professionals, historians, and culturists have
> used.
>
> I am currently reading Severa's Dressed for the Photographer to gain
> some ideas.  I am also searching for books/articles regarding the
> history of photographic portraits and photographic interpretation--any
> suggestions?  Or does anyone know of similar projects?
>
> I will greatly appreciate any input, suggestions, or advice.
>
> Thank you,
> Rebecca J. Phipps
>
>

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