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Subject:
From:
Laura Petznick <[log in to unmask]>
Reply To:
Museum discussion list <[log in to unmask]>
Date:
Mon, 6 Nov 2000 16:13:07 -0500
Content-Type:
text/plain
Parts/Attachments:
text/plain (111 lines)
I would recommend that you contact the Society for the Preservation of New
England Antiquities (SPNEA Harrison Gray Otis House, Boston, MA). Quite
often, they are faced with the decision to accept historic structures and to
preserve them as museums.

Kind regards,
Ware

L.W.S. Petznick, Ph.D.


------Original Message------
From: Jan Gallimore <[log in to unmask]>
To: [log in to unmask]
Sent: November 6, 2000 7:53:19 PM GMT
Subject: Re: WHAT TO DO BEFORE CHOOSING AN OLD BUILDING TO HOUSE A MUSEUM?


Additions to the list would be expectations for public use/volume including
restrooms, ADA provisions, visitor amenities  and
fire-suppression/detection systems.  These issues have major impact and cost
implications.  An excellent architect in the Chicago area is David
Woodhouse.

Janet L. Gallimore, Director
Lake County Discovery Museum
Greenbelt Cultural Center
27277 Forest Preserve Dr.
Wauconda, IL 60084
Phone - (847) 968-3380
Fax - (847) 526-0024
[log in to unmask]

>>> [log in to unmask] 11/06/00 01:27PM >>>
Hello everyone,

I've read some interesting information that comes from
museum architects in this list. I have a question for
them which I hope can be answered: When you choose a
building -which already exists and has historical and
architectural value- to house a contemporary art
museum or an exhibition place (I'm thinking of places
that exhibit contmporary art like Le Magazin in
Grenoble, France) what do you have to be aware of? I
have some suggestions but there may be some more
things that have to be pointed out:
1. History of the building
2. Topography
3. Climate/ Weather
4. Foundation of the building (the supporting part of
the structure upon which the building is built)
5. Constructive techniques
6. Materials used for the construction
7. Measures or dimensions of the building (to see if
there is the necessary space to have an exhibition
area, a store room, administrative offices, etc.)

Are there more things to be aware of? I am finishing
my thesis which is about the problems -museographical
and non-museographical- that are posed by old
buildings adapted into contemporary art exhibition
places such as Le Magazin in Grenoble, France and many
others.

I would appreciate any help. Thanks in advance.

Alejandra Coghlan
[log in to unmask]

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