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Museum discussion list <[log in to unmask]>
Date:
Tue, 7 Mar 2000 22:13:39 -0600
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Ok...this question is probably for all the conservators out there, or anyone
who knows.  I need to get the recipe to make some B-72 to label objects.  I
know I can order the little pellets from one of the archival companies.  But
I need to know the correct ratios and where I might get some of the white
pigment.  Is acetone better than toluene?  Or, if anyone knows of a cheaper
place to get the paraloid pellets I would be quite happy to save some money.

Thank you!!

----- Original Message -----
From: <[log in to unmask]>
To: <[log in to unmask]>
Sent: Monday, March 06, 2000 11:32 AM
Subject: Upcoming Conservation Workshops


> THE UPPER MIDWEST CONSERVATION ASSOCIATION ANNOUNCES
> TWO UPCOMING CONSERVATION WORKSHOPS
>
>
> WE CAN WORK IT OUT: THE PRESERVATION OF PRINT AND NEGATIVE PHOTOGRAPHIC
> COLLECTIONS
> June 1-2, 2000 at the Minneapolis Institute of Arts, Minneapolis,
Minnesota
>
> This workshop will address the identification, deterioration, and
> preservation of photographic print and negative materials commonly held in
> museums, libraries, and archives.  An emphasis will be placed on the
> development of short and long term preservation strategies including
disaster
> response and recovery methods for these challenging and often vulnerable
> materials.  Original print and negative materials, slides and case studies
> will be utilized.  The speaker for this two day workshop is Debbie Hess
Norris
> , who is internationally recognized as one of the top experts in
photographic
> conservation.  She is currently the Director of the Winterthur/University
of
> Delaware Art Conservation Program and is an Associate Professor.  She has
> written numerous articles on the subject of photographic conservation for
> international publications and has lectured and presented courses on the
> topic at major conferences, museums, and universities around the world.
>
>
> IDEAL CONDITIONS? PREVENTATIVE CONSERVATION AND ENVIRONMENTAL MONITORING
FOR
> MUSEUMS, LIBRARIES, AND ARCHIVES
> July 28-29, 2000 at the Minneapolis Institute of Arts, Minneapolis,
Minnesota
>
> During the first day of this two day workshop, participants will be
actively
> involved in discussing preventative conservation actions relating to
> temperature, humidity, light, pests, exhibits, storage and loans.
Discussion
> will focus on practical field techniques used at Shelburne Museum.  A
special
> section will emphasize low-cost, practical, climate control approaches for
> museums that are closed during the winter months.  The second day will
focus
> on how to establish a monitoring program for environmental conditions.
> Practical methods to monitor humidity, temperature, lighting,
particulates,
> gaseous contamination, and collection safety will be discussed along with
> suggested equipment and practical field techniques.  The speaker for day
one
> is Richard L. Kirschner, the Director of Preservation and Conservation at
> Shelburne Museum in Shelburne, Vermont.  He is a noted consultant,
lecturer,
> and author in the conservation field, and much of his research has
> concentrated on practical low-cost approaches to dealing with
environmental
> conditions in historic structures during winter months.  Day two's
speaker, Wi
> lliam P. Lull, is a noted consultant, lecturer and author in the field of
> conservation environments for museums, libraries and archives.  He is the
> President of Garrison/Lull Inc. and has consulted with museums throughout
the
> world on environmental issues.  He is also an Adjunct Associate Professor
of
> Building Technology at New York University.
>
> If you would like more information on either of these two workshops, or
would
> like a registration form, please contact: Andrea Beck, Field Services
> Coordinator
> Upper Midwest Conservation Association
> 2400 Third Avenue South
> Minneapolis, MN 55404
> Phone: (612) 870-3128
> E-mail: [log in to unmask]
>
> =========================================================
> Important Subscriber Information:
>
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